Skip to content
Nicolas Debes

All articles

· 6 min read

Why You Shouldn't Release AI-Generated Music (and the One Way AI Actually Helps You)

Again and again, the same message lands in my email or WhatsApp with a finished song attached. Not a demo — a finished AI-generated song, made on Suno or one of the similar sites. And the question is almost always a version of the same one: "Can you clean this up? It just needs mastering, a professional touch."

I understand why people ask. AI-generated music sounds close to real now: there's a beat, a voice, a chorus. It feels ninety percent done, and surely a producer can carry it the last ten. Let me explain, calmly and without drama, why that last ten percent isn't what it looks like — and then tell you about the one use of AI I've actually seen help an artist.

Why AI-generated music can't really be fixed

Here's the technical reality. AI-generated music arrives as one baked stereo file. There are no stems — no separate vocal, no drums, no bass, no strings. Everything is fused into a single waveform, like a cake already out of the oven: you can't reach back in and adjust the ingredients.

Mixing, by definition, is the craft of balancing separate tracks against each other. Mastering is the final polish on a mix that already works. Neither can reach inside a single file to bring the vocal forward, fix a kick that fights the bass, or replace a line that lands on the wrong chord. So when someone asks me to "fix" an AI track, the honest answer is that there's nothing to open. I can make the whole file a little louder, a little brighter, a little wider. I can't repair what's inside, because there is no inside. That's not me protecting my trade — it's how audio works. If you want to know what a real mix and master actually involve, I explain both in mixing and mastering for Arabic songs.

The tells you can hear

Even if the stems existed, there's a second problem: AI-generated music has a sound, and you can hear it. Maybe not consciously. But listeners feel it, and with Arabic music they feel it fast.

After years of this work, here's what my ear catches within a chorus or two — and none of it comes off with a fader, because it's baked into something that was never a performance to begin with:

  • Vocals with smeared consonants and a watery, unstable texture — close to a human voice, never quite one.
  • A wash of artificial room and reverb that never changes, no matter what the song is doing.
  • Timing that's quantized but lifeless — perfectly on the grid, with none of the push and pull a human player gives a phrase.
  • Arrangements that repeat instead of developing: the second chorus is the first chorus again, and nothing has grown between them.
  • Endings that fade out because the model doesn't know how to resolve.
  • And in Arabic specifically: pronunciation that drifts, maqam color that sits slightly wrong. A listener may not name the maqam, but they feel when it's off.

The ownership question nobody asks until later

Suppose none of that bothered you, and the track were releasable as it is. There's still a question I'd want answered before anything goes out under your name: whose song is it? In many major markets, fully AI-generated works can't get copyright protection, because copyright is built on human authorship. Streaming platforms have been removing AI-generated tracks and tightening their rules around them. Regulators in several countries are moving toward restricting or labeling AI-generated music. And when the melody came out of a website's model, royalties and ownership get murky fast — the platform's own terms may limit what you can do with the song commercially.

I'm not a lawyer, and this isn't legal advice. But the direction things are moving is clear enough that my practical advice is short: check the rules wherever you plan to release, and ask yourself if you want your name on a song you may not be able to fully own or defend.

The one place AI genuinely helps you

Now the part that might surprise you: some very clear ideas have reached me lately as AI sketches.

Here's the situation. An artist has a melody in their head — a real one, theirs — but can't hum it confidently or record it in a way that carries the idea. That's normal; delivering a melody with nothing but your voice is a skill of its own. So they generate versions until something comes out close enough to point at, and they send me that: "like this." It works. Not as a song — as a reference. It's a more detailed voice note, nothing more and nothing less.

And that's where the human work begins. If the direction matches what the song should be, I build it properly from scratch: real composition, real arrangement, a vocal that's actually performed, a mix built from separate tracks — every element adjustable, ownable, yours. If the reference is off — if I hear the sketch pulling the song somewhere weaker — I'll tell you so, plainly, and compose a direction I believe in instead. That's the part no model can reach: the judgment to say "this isn't it," and the craft to offer something better. Building it for real is the process I walk through in how an Arabic pop song actually gets made.

Send me the idea, whatever shape it's in

So here's where I land. If you have a finished AI song and want it turned into a serious release, I'll probably tell you what I've told you here — and then offer to rebuild it for real, if the idea inside deserves it. If you have a melody you can't get out of your head and into a recording, send me whatever carries it: a voice note, a hummed line into your phone, or yes, an AI sketch that's close enough to point at.

I work remotely with artists everywhere, I quote a fixed price for the project before we start, and revisions happen over email or WhatsApp. Send me your idea in whatever shape it exists — I'll build the real thing.

Quick answers

Can you master a song I made on Suno?

I can make the file a little louder and more balanced, but mastering polishes a finished mix — it can't reach inside one baked stereo file to fix a vocal or a kick. If the idea is strong, the better path is rebuilding the song properly from scratch.

Can I send you an AI track as a reference?

Yes — that's the one use I genuinely recommend. If you can't hum the melody in your head, an AI sketch that gets close is a perfectly good way to point at the direction. If it matches, I build the real thing; if it doesn't, I'll say so honestly and compose an alternative.

Who owns an AI-generated song?

It's murky. In many major markets, fully AI-generated works can't get copyright protection, and a platform's terms may limit commercial use. I'm not a lawyer — check the rules where you plan to release. A song composed and produced by humans avoids the question entirely.

CallWhatsApp